"The runaway bestseller that helped launch Korea's new feminist movement, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rigid misogyny. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul, KimJiyoung-a millennial "everywoman"-spends her days caring for her infant daughter. Her husband, however, worries over a strange symptom that has recently appeared: Jiyoung has begun to impersonate the voices of other women-dead and alive, both known and unknown to her. Truly, flawlessly, completely, she became that very person. As she plunges deeper into this psychosis, Jiyoung's concerned husband sends her to a psychiatrist, who listens to her narrate her own life story-from her birth to a family who expected a son, to elementary school teachers who policed girls' outfits, to male coworkers who installed hidden cameras in women's restrooms and posted the photos online. But can her doctor cure her, or even discover what truly ails her? Rendered in eerie prose, Kim Jiyoung, Born 1982 announces the arrival of a major international writer"-- - (Baker & Taylor)
A U.S. release of a feminist best-seller from Korea follows the experiences of a millennial from Seoul who suddenly manifests the bizarre symptom of being able to flawlessly impersonate and then become any woman, alive or dead. - (Baker & Taylor)
Truly, flawlessly, completely, she became that person.In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist.In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first.Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her?Kim Jiyoung, Born 1982 - (WW Norton)
VultureNew York TimesKim Jiyoung, Born 1982 - (WW Norton)